Gus Van Sant does it again. It's nice to know that somebody
out there remembers that filmmaking is about telling stories
and captivating audiences.
It's true that this film runs much more along the normal road,
than the winding, somewhat offbeat (and fascinating) path of
his previous films, but is probably assured of attracting a
larger scale audience than his previous work. Van Sant
already has a dedicated following, but the more the merrier.
GOOD WILL HUNTING
(c)copyright: RCV/MiramaxFilms
|
Among the exciting entourage of attractive young men present
on screen this time around is 27-year-old Matt Damon, a real-
life ex-Harvard student who plays an MIT janitor in a movie
which he also co-wrote. Some stairway to paradise, huh? A
real knock out. (Damon's actual debut, for those of you who
may not remember, was a one-line role in "Mystic Pizza" with
Julia Roberts.) Co-writer and co-star Ben Affleck is a buddy
from way back before high school in Cambridge,
Massachusetts where the two boys shared acting ambitions.
Looks like friendship and dependability are still qualities extant
in this world. (According to Robin Williams, they were both so
happy and overjoyed when shooting started, that they began
to cry. Williams, touched, reassured them that the ultimate
reason they were there was no fluke. They had written
something special.) The script began life as a scene Matt
wrote for playwriting class that afterwards grew into forty
pages of dialogue which he and Ben finally spent a year
developing until it turned into Good Will Hunting. Without
going into the disturbing, frustrating details of the Hollywood
machine, purchasing, and turnaround periods during the early
stages with Castle Rock, let it suffice to say that, in Damon's
and Affleck's struggle to make this the ultimate vehicle for
themselves as actors, Miramax became the boys' saving
grace and Van Sant continued on board as their leader.
Will Hunting (Matt Damon) is an orphan who likes to go
drinkin' with the guys and is not opposed to a good fight; he
also happens to be a bit of genius, but nobody of any
importance has taken notice of this fact yet. He passes his
days working and hanging out with a gang of Southies and
imbibes his mental nourishment from the endless books he
consumes privately at home. This fluid source of
mathematical and historical knowledge, combined with a
photographic memory and a knack for problem solving,
becomes the source of fascination for math Professor
Lambeau (Stellan Skarsgard) who sees in him the incarnation
of a natural genius. Managing to get the adolescent thug off
on parole with a promise of therapy, the prof calls upon the
services of ex-friend Sean McGuire (Robin Williams), a
psychiatrist whose unorthodox methods and ideas seem to
make him suitable for this case, despite Lambeau's near
contempt for the man's shortcomings. The relationships
between this trio make the real meat of the movie, as tempers
and concepts fly at each other from different directions. Along
the way, of course, as boy meets girl in movie-land, Will meets
Harvard senior Skylar (Minnie Driver) and a love relationship
ensues (naturally accompanied by all the necessarily
associated difficulties). When all is said and done, the story is
rather conventional and eventually casts all issues,
intelligence, and aspirations to the wind, but the viewer feels
so good watching it and getting to know the characters, that it
doesn't matter at all. (Most will accept that the more important
issues of the film are of less importance, as long as there's a
happy ending. For General Release.)
Actor Matt Damon as Will Hunting is a good-looking butch lad
with what appear to be evenly matched and mixed amounts of
temper and sensitivity. Ben Affleck gives a damned good
performance too as Chuckie, the buddy from Boston, but the
screen time allotted to his character doesn't leave quite as
much room for development and his "heart-to-heart" with Will
borders on the ridiculous. Robin Williams' Sean is touching
and subtle in a different way than he has appeared in his
serious roles previously, but many will most likely make
unfortunate comparisons between this performance and the
ones he has given in "Awakenings" and "Dead Poets Society".
Minnie Driver, as Skylar, has finally been cast in a role that will
attract the appreciation and admiration she has long deserved
time and again for past performances.
Along with stardom and lots of attention, Matt and Ben have
already been immortalized in stills by the lens of Bruce Weber.
It makes one puff for the rough.
© 1994-2006 The Green Hartnett
|