Often one can heave a sad sigh of disappointment at a really wonderful film
when realizing that the author never had the chance to see the realization of
his fantasy on film. All sorts of names in this category shoot through one's
mind such as Melville, McCullers, and, of course, our near and dear, but
pre-cinematic Bard. Keeping the subject somewhat more contemporary, we can
also reflect on people like Andre Dubus, the man who wrote the original story
that served as a basis for Tobias Wolf and Rob Festinger's scenario of "In
The Bedroom". A magnificently structured tale, delicately balanced and
subtly exposing tense emotions found in several relationships set against the
seemingly deceptively peaceful backdrop of middle-class New England. We
quickly become familiar with the characters, intelligently and powerfully
portrayed by a cast superbly equal to the task, and possibly recognize the
personalities, traits, and lifestyles as being similar to those of people
from our own lives. Only when the unexpected happens do these people become
irrevocably lost, struggling to find a way out of their predicament like
helpless strangers disturbingly lost in the woods.
Sissy Spacek and Tom Wilkenson as Ruth and Matt Fowler top a brilliant cast
which includes the startlingly subtle performances of Nick Stahl, William
Mapother, and Marisa Tomei. Everyone in the cast deserves special mention
for this performance, which moves along with the seemingly effortless beauty
of ensemble acting. Wilkenson, who has portrayed many striking roles (perhaps
most familiar to Stateside audiences from "The Full Monty") will
hopefully now become even more familiar to American audiences for his many
facetted talents.
Revealing any further details of the story could possibly ruin the experience
for the viewer as it unfolds before his eyes. It is a series of events that
might have taken place in any rustic American town filled with ordinary people
and yet it becomes terrifyingly painful in it's honest approach as it develops
unexpectedly into what resembles a small Greek epic.
What a great pity that Andre Dubus is no longer around to see the cinematic
realization of his story. He died on director Todd Field's birthday in 1999.
© 1994-2006 The Green Hartnett
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