Anyone who has personally felt the lost of a loved one
should be touched by this analysis of adjustment and
friendship. Elizabeth Perkins tops a cast that includes
Kathleen Turner, Whoopi Goldberg, Gwyneth Paltrow and (are
you ready?) Jon Bon Jovi as the housepainter with pizza
and buns. Perkins steals the show hands down with a
performance that is perfection.
This lady's chameleon-like ability keeps on amazing; she's
changed her look again (and I don't just mean make-up)
including a physical presence that is different from anything
she's done before. It takes a minute or two before registering
that this really is Ms. Perkins. Her flawless performance as
the newly widowed teacher in a state of shock and
confusion trying to deal with daily routines reasserts her
already recognized talents and foreshadows what the
future holds in store. One her hardly wait to see her
placed in a role truly powerful enough to let her show her
stuff.
Ellen Simon's screenplay based upon her stage play
based upon her own real life experience is touching and
well-crafted enough to demand a lot from Perkins, but
Perkins performance is so perfect it displays a wider
capacity than the script has. Still, don't get me wrong,
the script is good. Director David Anspaugh has
intelligently sculptured the whole so that the audience is
appropriately moved to tears on more than one occasion,
but the most exciting aspect of the entire film still
remains Perkins' performance. Goldberg, Turner, and
Paltrow deserve praise for perfection. In fact, the only
thing about the entire film that disturbed me was the
"tidiness" of wrapping up in the last scene and the choice
of music that rushes in after the last line of dialogue.
Maybe another end?
In any case, superb points for Elizabeth Perkins, Gwyneth
Paltrow, Kathleen Turner, and Whoopi Goldberg. We love
you, girls.
© 1994-2006 The Green Hartnett
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