Like Smokey and the Bandit? Like Sci-Fi? Like the 50's? Like the New
Millennium? Then you'll love Space Truckers. Dennis Hopper's arrival with a
flight of square pigs is the most fun thing since Slim Pickens rode the H-bomb.
All those free-floating screens advertising spatial garbage among the debris
of the universe in the opening sequence lead us along the entrance pathway
toward a new world in which not much has changed. John Canyon (Dennis Hopper)
is a long distance trucker (yeah, man) with a rocket-powered rig (wow, man)
working between planets in the solar system (out of sight, man). He hacks a
hard living and his transport, a Pachyderm 2000 freighter, is in need of a few
more repairs than Han Solo's. Way up there on the hierarchical scale of
industry is The Company under the direction of Chairman Saggs (Shane Rimmer).
The Company tries to screw Canyon for late delivery, so he decides to go it
alone in order to survive. Pulling together with his new found accomplices
Mike Pucci (Stephen Dorff) and Cindy (Debi Mazar), he heads toward Earth with a
black market shipment of contents unknown. They wind up captives of vicious,
if somewhat incompetent, criminals in the Scum Cluster only to discover they
have been carrying a force of Bio-Mechanical Warriors. Nabel (Charles Dance),
the mastermind behind these creations, once managed to rebuild himself after an
attempted assassination by Saggs; left to die with only one arm, one leg,
half a torso and a portion of face, he managed to survive and still likes the
ladies. Now he is Macanudo, the leader of the pack in the Scum Cluster, and wait
till you see his machines go into action.
The main premise of the film is: can two space truckers and a waitress save
the world from annihilation by cyber-robots? Answer: go see it and find out.
Deep Space in the year 2196 might not roll around for a while, but many of
mankind's glitches shown in the film seem to have remained the same. Aboard
the main vehicle, the motley crew of three deal with situations as best they
can. Sexy Debi Mazar adds a nice touch to a rambling spaceship, Stephen Dorff
delivers a performance superior to some he has given recently, Charles Dance
displays his wide aptitude for comedy in a role diverse from his usual fare,
and Dennis Hopper shocks everyone by being a good guy. George Wendt (known
better to many as Norm on TV's "Cheers") also puts in an appearance as the
proprietor of Interpork and manages, in a short time, to make an unforgettable
exit. (For his last scene, a dummy had to be made, the preparation of which
included casting his entire body in plaster on a hotel balcony one hot summer
day. According to Wendt, when they left him alone to dry, a number of hotel
guests called the manager and complained that some sort of devil worship was
being practiced on the balcony.) If you think his exit is something, wait
till you see the amazing "Dowager" (Eileen Dromey) in the toilet on the way to
Zesty's (Birdy Sweeney)lair. Where do they get those toys?
Superb points for director/producer Stuart Gordon who intended to make a sci-fi
film of a different order and has to a large extent succeeded. Gordon,
co-founder of the famous Chicago Organic Theatre where he directed and co-wrote
the noted Warp in the 70's and left the group originally to direct his first
feature film Re-Animator, has an impressive list of films behind him and this
one can be easily added. Superb points for scriptwriter Ted Mann, who,
expressing his point of view, says, "I think we'll all end up in the great dust
bowl here on Earth. But what I did like about Stuart's vision was the thought
that wherever we are, people will be the same, the usual suspects pretending
to work for the ægreater good' of mankind. I also like the notion of taking
over the world by privatising it, which is what Saggs plans to do. It seems to
me the entrepreneurial spirit is already being crushed and big corporations have taken over the right to tax and spend."
Superb points as well for the FX teams that worked both separately and
together, including Mike Measimer and Dave Snyder of Optic Nerve Studio (thanks
for the hairy square pigs, guys), Scot Oshita of the Greg Cannom Sudio, and
Tuck Porter and Mark Wetherby, and that creator of visually stunning and
deadly BMWs, Screaming Mad George, as well as make-up assistants Maria Bruce and Liz Dean.
(Would make a great double-feature with John Carpenter's "Dark Star".)
© 1994-2006 The Green Hartnett
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