Photo: Star Wars
Lucasfilm ltd. ® RTM & © 1999 Lucasfilm ltd.
courtesy Netherlands Fox Films Corporation BV
|
Long, long ago in the far away state of California there was
Lucas. Then Lucas begat Lucasfilm and Lucas Online and
LucasArts and Lucas Digital and Lucas Licensing and Lucas
Learning. And so everyone eventually came to have a piece of
Lucas for his or her or its own. Let's go to the very beginning; a
very good place to start. When you started, you were there for
four, five, six. Now you've reached point one, with all new
tricks. Yes, the world is alive with the sound of Jedi. It may
have taken more than twenty years to get started, but we've all
come of age and are able to think on parallel lines, both vertical
and horizontal, jumping from one reality to another, be it virtual,
real, or something yet unheard of. So, here we go.
As a young Obi-wan Kenobi (Ewen McGregor), not quite
beyond completion of his apprenticeship (to those in the know,
a Padawan Learner), accompanies the magnificent (tall) Jedi
knight Qui-Gon Jinn (Liam Neeson) on a mission to pursue
negotiations with the gigantic commercial Trade Federation.
This Federation has been ignoring the wishes of the weak and
peaceful planet Naboo (as well as many others) and recently
introduced them to the horrors of warfare.
Ambushed whilst awaiting further emissaries, these
unsuspecting knights suddenly fall prey to an attack that only
Jedi warriors could possibly hope to survive. Neither poison
gas, nor attacking pinhead robots, nor Droidecars with rolling
guns can halt our heroes from their designated missions. They
escape intact.
Photo: Star Wars
Lucasfilm ltd. ® RTM & © 1999 Lucasfilm ltd.
courtesy Netherlands Fox Films Corporation BV
|
They know instinctively that the Nimoudian viceroy Nute Gunray
(Silas Carson with a distinctly Japanese tint to his voice) and his
associate Rune Haako (Jerome Blake) want to capture Queen
Amidala (Natalie Portman) of Naboo. The Queen, please note,
is invariably dressed in the most fantastic oriental-type gowns
and headdresses (courtesy of Ian McCaig), so that some of you
might be forgiven for thinking that perhaps the Nute Gunray is
secretly after her wardrobe. (Most of the time she stands
around looking noble, but, no question about it, she is not able
to carry her feathers gracefully down a stairway. Love the lights
in the red Throne Room number, though.)
Hoping to seek refuge and assistance from another community
of creatures, the Gungan, the knights encounter Jar Jar Binks,
the newly-billed star of this latest SW entourage (computer-
generated image for actor Ahmed Best). Like a breath of fresh
air, Jar Jar possesses a distinctly different voice (this time rasta
with a touch of humor) as we quickly discover when he begins
using such anomalies as "Ex-squeeze me". (The combination
of dialects spread throughout the movie obviously makes it
multi-cultural and very now for the future.)
Photo: Star Wars
Lucasfilm ltd. ® RTM & © 1999 Lucasfilm ltd.
courtesy Netherlands Fox Films Corporation BV
|
Yes, the animation from ILM is as amazing as one has come to
expect of them and the vision of the glowing domes as we
approach the underwater city is spectacular (talk about your Art
Noveau). In case you're not quite up to speed, the Naboo are
the attackers and the Gungan are potential allies (a group to
which Jar Jar belongs - or sort of). Boss Nass, the king of the
Gungan, however restricted in screen time his role may be in
this epic, manages to steal the day from Jar Jar. Who, you may
ask, is this majestic ruler with the booming voice and the
slobbering shake? Well, anyone familiar with the Brian Blessed
can venture a good guess. Proud to have the last line of the
film he is, as Yodo (Frank Oz) might say. Before the Jedi
knights get near the subterranean circuit, however, (still
following this, are you?) there are more dangers to be
encountered and thwarted. Battles must be fought and wars
must be won; or, as Liam Neeson might put it: "there's always a
bigger fish".
No, you don't have to settle for the down-to-earth thrills of a
world gone-by. The universe is full of variety and the spatial
travelogue is eye-boggling: Italian palaces near canals and
piazzas, bubble-domed metropolises under water, desert
sandscapes where monolithic Lawrentian battles take place,
high-tech plateaus with regimented air traffic, assembly halls
with floating speaker boxes, and any number of edifices that
make you wonder ver-to-go. Doug Chiang, an art director at
ILM, has done a spaced-out job along with Terry Whitlatch, who
dreams up monsters unheard of, and Ian McCaig, who puts
everyone in rags that make you weep with wonder and scream
out "sew those cocoons". Production designer Gavin Bocquet
took Chiang's concepts and was responsible for overseeing the
construction of more than sixty sets in England, Italy, and
Tunisia. These all have helped to make up the magic of
Tatooine, Naboo, and Coruscant, if you know what I mean.
Stare ahead and go blind from beauty.
Take notice of those hidden moments that repeated viewing
reveals. When Obi-Wan and Qui-Gon Jinn make away with the
Queen after a daring leap from an arched -bridge balcony, look
again and see that Jar Jar, who hesitates in hope to stay
behind, jumps slightly later than the others and hangs onto the
balustrade for dear life. Humor? Visit places inhabited by
robots with Stephen Hawking's voice, which intonate such
things as: "That doesn't compute. Aah. You're under arrest."
Even in the face of dire danger, one should never lose one's
sense of humor. And if that doesn't tickle your fancy, try Jar
Jar's eating habits as he slicks a mile-long tongue to get at his
fruit.
When their starship begins having serious problems, it's good
old R2D2 (Kenny Baker) who evokes a response from one of
the crew who astonishedly says, "Power's back. That little
droid did it." Our friends decide to land in Tatooine, the territory
of the Huts (who aren't yet aware of the Queen's flight and,
therefore, aren't looking for her themselves.)
Things get heavier, as usual. Even the traitor emissaries who
began the first battle with our Jedi knights have to finally admit,
"We should not have made the bargain."
Neeson searches the areas of Tatooine, desperately inquiring
about "pods for a J type 327 Nubian" so they can all finally
escape to safety when he chances, during this scouting
session, to meet Anakin Skywalker (the nine-year-old version
of Darth Vader played by Jake Lloyd). He can't get these pods
from the long-nosed blue swindler Watto (Andrew Secombe)
who makes no bones about telling the Jedi Qui-Gon Jinn , "I'm
a Togdarin. You're Jedi tricks don't work on me.") Jinn
realizes that a ship without a power supply isn't going to get
them anywhere. Nevertheless, something else has taken his
attention: "There's something about this boy."
This blonde-haired boy and his mother Shmi (Bergman movie
veteran Pernilla August, bringing yet another accent at this
point into the story) were sold into slavery and get ready to hold
onto your hats, cause it feels like the King of Kings might be
around here somewhere. ("Who was his father?" "There was
no father." Could we have some Jesus epic movie music in the
background, please. Thank you, JW.) This child reveals to us
that "I had a dream I was a Jedi - I came back and freed all the
slaves." This whiz kid, by the way, is not only a masterful
mechanic, but drives a mean machine. He podraces around
the arena to the tune of a two-headed sportscaster against the
agressive competitor Sebulba (Lewis MacLeod) while
maintaining the speed and pizzazz of Ben Hur. As they say,
"when in Tatooine, do as the Romans do." This kid can do
about anything, but, when you come down to it, he's just a little
too "cute." (His character's name is Anakin, but you could
almost call him Annie and expect him to burst out in a chorus of
"Tomorrow".)
Photo: Star Wars
Lucasfilm ltd. ® RTM & © 1999 Lucasfilm ltd.
courtesy Netherlands Fox Films Corporation BV
|
A female marketeer in the desert town with a distinctively
Australian twang (aha! This is assuredly a world of mixed
tongues), warns them, "Storm's comin'up. You'd better take
shelter." And we're off again to more adventure. A spying
black-ball-transmitter-type- floating-receiver has scouted the
area and Sith Lord Darth Maul, who soon follows, almost wipes
out the boy while himself in pursuit of a death duel (no, not quite
yet) with Qui-Gon Jinn. Those Siths are mean mo'fxxx'ers,
believe you me. As the adage goes, "where there's a Sith,
there's a black cape." Apprentice Darth Maul (Ray Park) adds
his colorful red and black visage to the ensemble; a face that
will challenge any scarification or tattoo this side of the last
galaxy. And, after all, what's an epic without a villain (or two)?
When this one makes his first landing, listen to the satanic
shout wafting behind the waves of desert air. Ray Parks make
an impressive acting debut, showing the endless stunts and
moves of an exceptional martial arts expert, accomplished
swordsman and incredible gymnast (under the choreography of
renowned stunt coordinator Nick Gillard). Yes, folks, he's for
real. Talking about evil, Ian McDiarmid as Palpatine, who has
lost some years this time around, says that the role he plays is
"conventional on the outside, but demonic on the inside. He's
on the edge, trying to go beyond what's possible." Must have
been fun working with these guys.
Fantasy time for me now, folks: I believe that if you listen
sharply to the mumbling of Lord Darth Maul (re: "the boy") when
sending a message through the floating transmitter, before
pursuing his first attack on Qui-Don Jinn, and also take note of
the near collision with the boy when Maul rides his air-jet-bike,
you might have a hint of what's coming in part 2 or 3 of the new
trilogy. Think about it a minute. Who is Anakin's father
(,assuming the mother has lied in order not to reveal the truth)?
And consider the mythological set-up of the 9 (eventual)
movies. My guess is it will turn out to be the evil (evil? notice
the cinematic pan at the final courtly line-up in chambers
preceding the parade at the end of the film). Senator (not yet
Emperor) Palpatine (Ian McDiarmid) was conceivably not only
the teacher of Darth Maul, but wants his own son (?!), Anakin,
destroyed in order to ensure and preserve his own powerful
political future. Having previously banished the child to the
desert with his mother as a result of his awareness of the
prophecy, possibly; perhaps he thought they were dead;
perhaps they ran away from his tyranny. This would also mean
that Palpatine is Luke Skywalker's grandfather. What secrets
the old Obi-Wan must withhold. Sometimes I get so carried
away. But my mind is wandering and fantasizing far too far
behind; let's get back to the cinematic facts (?) at hand.
All the actors were enthusiastic about acting against a blue wall
(more like a blue city in this case) and some of the interesting
comments made about the film have been:
-
Neeson:
- "These films are tapping into a void."
-
McGregor:
- "I obviously couldn't say no when the part was offered."
-
Portman:
- "It was wonderful playing a young queen with so much power."
-
McGregor, again:
- "To draw a lightsaber and fire it up... no one can imagine what that
feels like!"
-
Art director Chiang adds a few interesting words as well when he admits:
- "George's
design genius lies in the odd juxtaposition of unrelated images."
DP David Tattersal must be praised for both his breathtaking
and precision camerawork. Gavin Bocquet, needless to say,
has taken all our breaths away. Editor Paul Martin Smith has
made sure we haven't had too much time to catch them again.
Producer Rick McCallum has delivered all the goods in many
ways, shapes, and forms once again as he has so often done in
the past. Ben Burtt and Gary Rydstrom blow us audibly away.
What else can one say? The list goes on. Not to mention that
95% of the film (as I will mention here), composed of 2,000
shots, employs digital work. 250 computer artists worked for 2
years on creating this digital universe. Leavesden Studios in
the UK, an ex-Rolls Royce aircraft engine factory, had their
850,000 feet of space (the other kind) converted into ten stages
and sixty sets as well as having room left over for the
construction of special creature effects and costume
manufacturing. Of course, there's Dolby Digital-Surround EX
for this film, employing 6.1 channel sound, a new system
overseen by Oscar-winning sound designer Rydstrom, for John
Williams' soundtrack and Burtt's sound design.
If you just can't get enough, have no fear that part 2 will not
arrive. Don't forget the prophecy, which must be fulfilled, about
"the one who will bring balance to the Force."
You will not have to suffer for long.
Recall:
"Hard to see the dark side is."
"Fear leads to anger
Anger leads to hate
Hate leads to suffering"
What, you may ask, is going on in the digital backlot of my
brain. If you can't make head or tails out of much of this, it
doesn't really matter because you should go and see it for
yourself. It's an icon, after all; it's an icon after all.
In the meantime: Peace, brothers and sisters.
A DON'T MISS
Shame that Joseph Campbell isn't around to enjoy it with us.
© 1994-2006 The Green Hartnett
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