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The Thin Red Line
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"What is this violence in the heart of nature?" This
striking question is one of many offered among
memorable thoughts unexpectedly pondered by a
group of fighting men in this stunning film. Terrence
Malick hasn't made a film in twenty years, but with
this return he reclaims his post as one of the most
important filmmakers in the twentieth century. Not
only does he beautifully frame the images of the
stories he tells (always interpreted with flawless
performances), but he manages to capture both the
dark and light sides of humanity as well as the
elusive spirit of man. His latest adventure travels
into even a vaster and darker territory than trodden
in his previous "Badlands" or "Days of Heaven," but
it still maintains a collection of intimate and private
portraits of real people, their lives, their
relationships, their troubles, and their eventual
redemption.
(c) copyright Twentieth Century Fox. All rights reserved. Photo credit:Merie W. Wallace.
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The Army Rifle C-for-Charlie company land
unopposed on the shores of Guadalcanal to relieve
the war weary marines and begin their own
expedition through a bloody passage on this
beautiful and deadly island. Historically, the battle
was a key conquest in curtailing the Japanese
advance in the Pacific, but this premise is taken as
understood while we discover ourselves among the
men who are discovering themselves in a truly
foreign territory. These men are confronted with the
harsh realities of soldiering and warfare while
simultaneously beginning to grow into brothers
suffering together under the invading forces before
them. The horrors that surround them are not only
capable of destroying them, but also helping to unite
them.
Their thoughts are heard like conversations in a
room full of transients; their lives are spent in
anticipation of the next moment; their friendships are
encumbered with expectations from without and
within; their actions are expected and unexpected;
their lives are ticking seconds of questionable
length.
The Guadalcanal of James Jones' novel is
transformed into a visual world where the deceptive
lush green jungle paradise hides dangers that make
life into an surprisingly tenuous and questionable
thing. This peaceful homeland of the Melanesians
hardly seems an appropriate location for warfare,
and this becomes clear not only from the images of
the natives seen at the beginning of the film, but
curiously underlined by the flowering palm bursting
from it's pod in the water which leaves us with a final
image of hope and resurrection.
(c) copyright Twentieth Century Fox. All rights reserved. Photo credit: Merie W. Wallace.
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Malick appears to be as true to his colleagues as he
is to his values, and so we see him working once
again, on this occasion, with such former associates
as production designer Jack Fisk, first assistant
director Skip Cosper, casting director Dianne
Crittenden and editor Billy Weber. All of them,
naturally, doing topnotch work. Director of
Photography John Toll has shot some amazing stock
making effective use of Malick's well-loved natural
light.
The extraordinary cast includes Sean Penn, Jim
Caviezel, Ben Chaplin, George Clooney, John
Cusack, John Savage, Woody Harrelson, Elia
Koteas, and Nick Nolte among its proud list. It
speaks for itself that such noted actors were willing
and enthusiastic to perform sometimes even in the
smallest cameos and contribute to the creation of
this striking ensemble-like film. Caviezel, especially,
who portrays the Kentuckian private Witt is a new
face on the scene who has burst onto the screen
sensitively in a role that will undoubtedly make him
into a star. Sean Penn gives a performance which
reasserts his steady growth these past few years as
a top class actor. Each and every member of the
cast is praiseworthy, but it's easier to suggest that
you go and see it than to run off a endless list of
complementary remarks.
Malick is a man with a vision, and he is always able
to translate it magnificently to the screen. Maybe
production designer Jack Fisk's comment sums it up
best: "Terry is not easy to predict, but that's why I
love working with him. His perspective is
extraordinary -- he sees things differently than most
people."
Let's hope he doesn't stay away so long before the
next time.
There isn't much else one can say about a movie
like this without undertaking a detailed analysis.
And that would be out of place here. Go see it.
You've got to see it.
A MUST SEE.
© 1994-2006 The Green Hartnett
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