The "Second Time Around" might bring Frank Sinatra to the minds of some, but this is a
whole other kind of song and dance. A clearer translation might be "Two Sides to Every
Story" for a film in which screen suspense builds through various emotions movingly
experienced by the two main characters. This is an interesting cat and mouse game
beautifully and intensely portrayed by Nanni Moretti and Valeria Bruni Tedeschi as,
respectively, the victim of a terrorist and terrorist who now becomes a victim. Lisa's
activities in 70's Italy (anni di piombo) as an urban terrorist have landed her in jail where,
after serving 12 years of a 30 year sentence, she is allowed to work outside the prison walls
on a day-release program. As fate would have it, the university professor Alberto Sajevo
(Moretti), who still has a bullet lodged in his head from a terrorist attack, once again crosses
the path of his assailant and begins to pursue her in what she mistakenly believes to be an
innocent love pursuit. No longer recognizing him, Lisa (Tedeschi), nervous with her own
truth, lies about herself while he, at the same time, pretends to believe whatever she tells
him. Once directly confronted with the truth by him, Lisa gives up her privileges of freedom
for fear of further invasion into her life. Something much more complicated, however, has
transpired in their relationship to each other and a new development has come about that
neither would have imagined possible beforehand. Their lives are touched by each other
once again, but the possibility of real communication remains elusive. Their values, their
understandings and their lives are ultimately incompatible and, as a result, defy mutual
comprehension.
This extremely difficult topic is brought under the microscope in a very sensitive way. What
could easily have become a tedious and boring film turns out to have an immensely
interesting human edge to it. Mimmo Calopresiti, whose work to date almost exclusively
involves documentary subjects, deserves much credit for this first feature film. His personal
knowledge of ex-terrorists and their activities, as well as an awareness of the imminent
release of several from jail, sparked off what has turned into a prize winning script (penned
by Heidrun Schleff, Francesco Bruni, and himself) that tells a personal tale. Superb points
for the subtly tuned performance of Valeria Bruni Tedeschi.
© 1994-2006 The Green Hartnett
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